Independent Curators International has become THE hotbed of interesting curatorial discourse. For months PEI has posted information of their tremendous Curator's Perspective series of lectures and now they have graced us with another incredible resource: DISPATCH. iCI describes this site as:
DISPATCH is ICI’s new online publication that publishes a curator’s point of view on current developments in art. Practitioners based in different cities around the world are invited to use DISPATCH as their virtual base for a month, building their research over time through text, image, and video. Taking advantage of the interactive platform, DISPATCH will also allow for comments and feedback from readers around the world, allowing for the development of a dynamic curatorial network.
This month takes you on an extensive tour of Mexico City’s intersection of education, pedagogy and art – all from the comfort of your office computer.
It’s PEI highly recommended:
http://www.ici-exhibitions.org/index.php/dispatches/
DISPATCH is ICI’s new online publication that publishes a curator’s point of view on current developments in art. Practitioners based in different cities around the world are invited to use DISPATCH as their virtual base for a month, building their research over time through text, image, and video. Taking advantage of the interactive platform, DISPATCH will also allow for comments and feedback from readers around the world, allowing for the development of a dynamic curatorial network.
This month takes you on an extensive tour of Mexico City’s intersection of education, pedagogy and art – all from the comfort of your office computer.
It’s PEI highly recommended:
http://www.ici-exhibitions.org/index.php/dispatches/
And, of course:
THE CURATOR'S PERSPECTIVE
María del Carmen Carrión
Wednesday, March 107-9 pm
New York University , Steinhardt School of Education
Einstein Auditorium (1st Floor), New York City
María del Carmen Carrión is an Ecuadorian curator, writer, and cultural advisor. She is co-founder of ceroinspiración, an exhibition and residency space in Quito, where she recently curated the exhibition PACO GRUEXXO vs EL HOMBRE FOCA. In 2009, she designed Ecuador’s National Grants System for the Arts. Between 2005 and 2008 she worked as Associate Curator of New Langton Arts, a non-profit gallery in San Francisco.
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